《大武师》剧情简介
民国是武师们最登峰的时代,亦是最悲切的时代。
宣统退位,时局动荡。天津武行乘势崛起。墨家形意拳馆主墨守诚风骨坦荡,忧国忧民。不满武行不教真拳却献艺军界外强,遂打破规矩广传真学,一时间与同行成对立之势。身边大弟子季如风隐藏身世,被军界利用,联合武行做下惊天杀局。
天津武士会,墨守诚苦战六位武师艰难取胜,不料大徒弟季如风身披军装登场。墨守诚不肯全力相搏,被季如风偷袭身亡。比武之前,墨守诚预感不祥,便安排墨家三兄弟逃亡至上海,墨家长子墨云烈为图生计,被迫做苦力打黑拳,带领二个弟弟辛苦求生。时过境迁,季如风一直心念墨家拳真意,苦苦找寻墨家三兄弟下落。十年后,二人意决生死,繁花似锦的戏台由此变作修罗武场。
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1975 动作简介:Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.” -
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